Score Magazine Super Naturals 2006 LINK
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The mostly synthesized orchestral score of the season was composed by Christopher Lennertz and Jay Gruska.[72] The pair try to base the music on the visuals of each episode,[73] with about a third of each episode's score being newly written for the supernatural legend.[72] For example, off-angle shots in \"Dead in the Water\" are accompanied by repetitive and discordant notes. As well, spoken words such as \"water\" and \"die\" are followed by a lower pitch because Lennertz felt it created a \"gurgly\" water sound.[73] An electric cello and woodwinds helped to create a big emotional tone in the episode \"Home\", with Lennertz feeling that the final cue \"became a very cinematic musical moment\".[74] To fit in with the episode's ambiance in \"Asylum\", Gruska made the music very subtle; Lennertz felt that it was \"creepy-crawly\" like \"a snake sneaking along the ground\".[75] Conversely, Lennertz matched the theme of traveling evangelists in \"Faith\" by using a small 76-key piano that was damaged and slightly out of tune. He attached small items such as coins and paper clips to the keys to create a rattling noise, making the piano seem \"old and crappy\".[76] Lennertz then played \"bluesy gospel music\" during the sermon scenes involving the Reapers.[72] Because he felt that there was also a \"snake-oil salesman vibe\" to the episode, he included an Armenian duduk due to its association with snake charming.[76] The score of \"Hell House\", on the other hand, had a much lighter tone to coincide with the episode's humor. For example, music for the scenes involving the \"professional\" ghost hunters used percussion instruments to slightly mimic the Mission: Impossible theme.[77]
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