Contour
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Enable/disable corner masking, which only has an effect if Z isa masked array. If False, any quad touching a masked point ismasked out. If True, only the triangular corners of quadsnearest those points are always masked out, other triangularcorners comprising three unmasked points are contoured as usual.
If 0, no subdivision of the domain. Specify a positive integer todivide the domain into subdomains of nchunk by nchunk quads.Chunking reduces the maximum length of polygons generated by thecontouring algorithm which reduces the rendering workload passedon to the backend and also requires slightly less RAM. It canhowever introduce rendering artifacts at chunk boundaries dependingon the backend, the antialiased flag and value of alpha.
negative_linestyles can also be an iterable of the above stringsspecifying a set of linestyles to be used. If this iterable is shorter thanthe number of contour levels it will be repeated as necessary.
This aims to give an altering illusion to your facial features. From a subtle slim and snatched face to hyper-sculpted cheekbones, razor-sharp chiseled jawlines, and a pointy, narrow nose, contouring can do all these for you!
Just like any other makeup product, contours work best when matched with the right skin type. Lucky for us, there are now different formulations for us to choose from: Powder, cream, or liquid contours.
This tool is intentionally angled to help create that perfectly symmetrical and precise contour. It also comes in different sizes for every contouring need. This helps in achieving a perfectly sculpted face without tugging your makeup.
Experts advise picking a product three shades darker than your skin tone that stays within the same undertone family for the perfect contour. When it comes to undertones, go with a cooler, greyish-brown shade if your complexion is cool-toned, and a warmer, red-brown shade if your skin is warm-toned.
The next step is to determine whether to use a cream or a powder. This is primarily based on personal choice, however makeup professionals recommend taking your skin type and texture into account while selecting the right formula. If your makeup settles into fine lines or you have really dry skin, use a cream contour. When applying and blending liquid or creamy products, use the warmth of your clean hands or a damp makeup sponge to help the product melt into the skin.
Use a powder if you have oily skin or just want a matte finish. Powder formulas, unlike creams, do not blend well with your fingertips, and great blending is essential when creating a natural-looking contour. Instead, select a makeup brush based on the look you want to achieve. Use a brush with blunt bristles to get a razor-sharp chiselled effect. A fluffy angled brush will help you distribute the product while you sculpt for a softer finish. A smaller shading brush is recommended for contouring tiny regions, such as the sides of your nose.
Results: This contour overlay aids the interpretation of the funnel plot. For example, if studies appear to be missing in areas of statistical nonsignificance, then this adds credence to the possibility that the asymmetry is due to publication bias. Conversely, if the supposed missing studies are in areas of higher statistical significance, this would suggest the cause of the asymmetry may be more likely to be due to factors other than publication bias, such as variable study quality.
if NULL, the current font family and face are used for the contour labels. If a character vector of length 2 then Hershey vector fonts are used for the contour labels. The first element of the vector selects a typeface and the second element selects a fontindex (see text for more information). The default is NULL on graphics devices with high-quality rotation of text and c(\"sans serif\", \"plain\") otherwise.
The methods for positioning the labels on contours are \"simple\" (draw at the edge of the plot, overlaying the contour line), \"edge\" (draw at the edge of the plot, embedded in the contour line, with no labels overlapping) and \"flattest\" (draw on the flattest section of the contour, embedded in the contour line, with no labels overlapping). The second and third may not draw a label on every contour line.
Notice that contour interprets the z matrix as a table of f(x[i], y[j]) values, so that the x axis corresponds to row number and the y axis to column number, with column 1 at the bottom, i.e.a 90 degree counter-clockwise rotation of the conventional textual layout.
There is limited control over the axes and frame as arguments col, lwd and lty refer to the contour lines (rather than being general graphical parameters). For more control, add contours to a plot, or add axes and frame to a contour plot.
These maps display the service contour for the FM or TV station that is generally protected from interference caused by other stations under the present FCC rules. However, interference-free reception is not guaranteed at all locations within this contour. Local conditions (for example buildings, terrain, receiver quality, type of receive antenna used, car radio or mobile operation) can influence reception of a radio signal.
Service does not stop at this contour line. In many cases, FM or TV stations can be received at locations well beyond the location of the mapped contour, with interference-free reception becoming less likely at greater distances. FM stations in particular can often provide service to a substantially greater area than depicted by this contour. However, radio or TV reception in areas outside of this service contour is not protected from interference caused by other authorized stations.
We regret that we cannot provide source code or assistance to persons or groups looking to generate their own maps. Nor can we honor requests for special maps or additional service or interfering contours, or computations of area or population within these service contours. 59ce067264
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