A History Of Western Music 10th Edit Free
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The first part of the Oxford History of Western Music covers the first notations, as well as the development and eventual evolution of Western art music. The second part focuses on the Medieval and Early Renaissance Periods (c. 1000-c. 1600), and the third part is the Baroque Period (c. 1600-c. 1800). The final part of the book focuses on the Classical Period (c. 1800-c. 1900) and the Modern Period (c. 1900-c. 2000).
The history of Western art music is usually divided into four periods:
The Medieval and Early Renaissance Periods (c. 1000–1600) are marked by a greater diversity in musical styles, which were to influence the development of Western art music throughout the following periods.
The Baroque Period (c. 1600–1750) is often considered the central and most studied period of Western art music, and is marked by a growing complexity in its musical style and composition.
The Classical Period (1750–1900) is marked by a dominance of tonal harmony, a compositional structure based on a hierarchical system of pitch relations, and the development of the symphony.
The Modern Period (after 1900) is marked by a continuation of developments from the Classical Period, and the introduction of serialism, experimentalism, and performance practices such as free improvisation.
The Oxford History of Western Music traces the evolution of these periods. The first part (1) of the work focuses on the development of the first notations of the eighth century (although the earliest notations are around the eighth century, the earliest manuscript that is still extant is from the 11th century). The second part (2) covers the Medieval and Early Renaissance Periods. The third part (3) is the Baroque Period, and the fourth part (4) covers the Classical Period, and the final part (5) is the Modern Period.
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