Everything She Ever Wanted (2009)

This is extreamly frustrating. Can't find it anywhere. Does anyone no anything about the song at the end of the movie Everything she ever wanted? Some lyrics include I'm a good good girl, I'm such a good good girl, I got my hair up in curls.......just wanted to love on my man, such a good good girl.....champaign and and roses lets raise a toast to good good girl, such a good good girl....Please Help me any anyone else find this song, artist, something...I'm going crazy looking for it.

Everything She Ever Wanted (2009)

Since the album's release, Everything You Ever Wanted To Know About Silence has been seen as an influential album in metal and post hardcore. Keith Buckley of Every Time I Die has cited the album as an influence, stating on Twitter; "This album changed everything for me."[21] Oli Sykes of Bring Me The Horizon also cited the album as an influence on him, and that it inspired him to become a singer.[22] Journalists Leslie Simon and Trevor Kelley included the album in their list of the most essential emo releases in their book Everybody Hurts: An Essential Guide to Emo Culture (2007).[23] Alternative Press ranked "Pretty Lush" at number 77 on their list of the best 100 singles from the 2000s.[24]

I pretty much liked it. It's not really spectacular or moving, but it has a solid and fascinating storyline (based on real facts, they assured us!) and there's enough to keep you entertained for the two episodes of each one and a half hour. The biggest treat is Gina Gershon as Pat. Gershon is the epitome of a strong and sensuous southern woman, she's beautiful in a very mature and alluring sense, and it's great to see her getting her way with her charm and poise and self-assurance (and not to forget her sexual attraction). This helps in overcoming the flaws of the script. They choose to reveal Pat as the murderer very early in the story and this takes it from a suspenseful who-done-it to the less thrilling level of a will-she-get-away-with-it. It's only because the Pat-character is so exciting and so well acted, that it still succeeds in keeping you interested. Then there was the feeling of repetition in the second episode: Pat starts doing her poisoning & murdering schemes once again and in very much the same way as in episode one. This probably is in line with the true events that are the basis of this series, but it didn't help to keep me on the edge of my chair, it's more like: "Again?!? Didn't I see this before…?" The part where the younger sister gets more and more suspicious and afraid of Pat on the other hand is done very well and involving. But bringing in the daughter of Pat as some sort of forced partner in crime was in my opinion superfluous, it didn't seem to serve any purpose. The fact that she was portrayed as a sullen and unattractive emo-ish girl didn't help, the contrast to her mother was just too big. The mystery of who actually killed Tom's parents (Tom claims innocence, and it is clear that the makers want you to believe that the murder is actually somehow Pat's doing) is solved rather clumsily in the last part of the story, where Tom confesses that he shot them in self-defense. We see the revealing flash-back and it's not convincing at all: shooting his armed and threatening father in self-defense is one thing, but also planting a bullet in his unarmed and totally innocent mother is something quite different. So what do they wanted me to think, does this make him more, or actually less guilty?? And then we're left with many blank spots where Pat is concerned. There's talk of a brother of Pat who apparently committed suicide and there's all this innuendo that Pat also had something to do with that. Out of jealousy? Nothing is ever done with this anymore. Come to think of it: the whole background of Pat stays totally blank. Is she from this town? What kind of family did she grow up in? Who was the father of her daughter? Was she married before? Did she have a job? Pat just pops up at the start of the movie as some sensual force of nature, and maybe that's what they wanted it to be, but I would have liked a gradual disclosure of her past, being able to understand where her acts and deeds came from. What I actually did like very much, was the voice-over of Pat during a big part of the movie, showing her face in extreme close-up while she tells her tale. It's not until halfway the movie that we see she's talking at a hearing in prison to get paroled for good behavior. In this voice-over she justifies her deeds in an almost chillingly defiant way, she just doesn't see anything she did as wrong. The acting is over-all okay. As I said: Gina Gershon is absolutely wonderful and the part fits her like a glove. Ryan McPartlin (as husband Tom) is cute, he doesn't get much room to shine, but that's due to the part he plays, his character is totally out-classed by his dominant wife and McPartlin is convincing enough in his portrayal. Rachel Blanchard did a fine job as the younger sister Rachel who gradually comes to suspect her own sister but has a hard time believing it. All in all I enjoyed myself reasonably enough and I rank it 7 out of 10 (and a 10 plus for Gina Gershon!!).

Hope and Faith: two things that everyone needs to survive. But the words take on a different meaning in the form of a set of twins who attend Crockett University in Washington, D.C. As seniors, they are looking forward to a bright future in corporate America. Meanwhile, they have decided to relieve some of the stress involved in getting a higher education by being members of APF.Soror Ride 'em High and Soror Lick 'em Low, originally hail from Atlanta and, like most twins, they share a connection. In fact, their physical bond is so strong, that one can often feel a pounding in her vagina while the other is engaged in sexual activity. But everything is not perfect when it comes to being a twin. Sometimes animosity and jealousy can creep in; especially when Hope and Faith find themselves both attracted to the same man on campus. Is blood really thicker than water? Or, in this case, thicker than basic carnal desires?

The crooked cops are searching for the money, Gena's family members are now the target for Gena who's hiding from everything and everyone, as the race is on for Gena's survival. Will she manage to keep the money, can she get out of town and make a new life for herself, and will her family survive the maniacal killer that is hell bent on tracking her down? Will Gena stay, True to the Game?

Since she exploded on the scene with her two juicy and impossible-to-put-down tell-alls, readers have wanted to know even more about what makes Karrine Steffans tick. How was she able to meet all the high profile politicians, movie stars, and other celebrities that are her close acquaintances? What skills does she possess to keep men wanting more? Finally, Karrine lays it all out and explains exactly what a woman must do to win over the man of her dreams. With chapters like "Never Let Him See You Sweat,""Flirting,""Encouraging His Manhood," and "Give Him What He Wants," this hot and sexy manual is a must-have for every woman's bookshelf.

In stories that are simple yet elegant, hard-hitting yet poignant, J. California Cooper writes about the search for fulfillment that propels people's dreams and desires. In As Time Goes By a young woman named Futila Ways grows up focusing her dream of a better future on material wealth, only to discover that having everything she ever wanted cannot compensate for the emptiness in her heart.The Eye of the Beholder recounts the story of an unattractive young girl, Lily Bea, whose search for love leads her to embrace her own brand of freedom. And in Catch a Falling Heart a woman mildly crippled in a fall endures loneliness and solitude until she finds a man and provides a resting place for his love. Each story beautifully conveys the profound human need to seek some sort of satisfaction, just as a wild star seeks a midnight sun. 041b061a72