Mors Hus1974 English 164
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Mors Hus1974 English 164
Mors Hus: A Norwegian Drama About a Mother-Son Relationship
Mors Hus (English: His Mother's House) is a 1974 Norwegian drama film directed by Per Blom and starring Knut HusebÃ and Kari Rasmussen. The film tells the story of Petter, a young man who returns to his hometown and his widowed mother after breaking up with his fiancÃe. He soon develops an incestuous attraction to his mother, who reciprocates his feelings. The film explores the psychological and social consequences of their taboo relationship, as well as their struggle to cope with their guilt and isolation.
The film was based on a novel by Finn Carling, who also wrote the screenplay. It was shot in Oslo and Fredrikstad, with a budget of 1.2 million Norwegian kroner. It was released on 16 September 1974 in Norway, where it received mixed reviews from critics. Some praised the film's realism and sensitivity, while others criticized its slow pace and lack of tension. The film was also controversial for its explicit depiction of incest, which led to censorship issues in some countries. The film was nominated for two Amanda Awards, Norway's national film awards, for Best Film and Best Actor (HusebÃ).
Mors Hus is considered one of the most notable films of the Norwegian New Wave, a movement that emerged in the 1970s and aimed to challenge the conventions and traditions of Norwegian cinema. The film was also influential for its portrayal of a complex and controversial subject matter, which inspired other filmmakers to explore similar themes in their works. Mors Hus is regarded as a cult classic among fans of Scandinavian cinema, and has been praised for its artistic merit and cultural significance.
The film's main theme is the Oedipus complex, a psychoanalytic concept that describes a son's unconscious sexual desire for his mother and his hostility towards his father. The film portrays Petter and his mother as victims of their own impulses, as well as of the social norms and expectations that condemn their relationship. The film also explores the psychological effects of incest on both characters, such as their guilt, shame, anxiety, depression, and suicidal tendencies. The film suggests that their relationship is a result of their loneliness, lack of communication, and emotional dependency.
The film's style is characterized by its realism and naturalism, which aim to create a believable and authentic representation of the characters and their environment. The film uses a minimalist approach to its narrative and dialogue, relying more on visual cues and subtle expressions to convey the emotions and motivations of the characters. The film also employs a slow and deliberate pace, which creates a sense of tension and suspense throughout the film. The film's cinematography and editing are also influenced by the French New Wave, a cinematic movement that experimented with innovative techniques and aesthetics. The film uses handheld cameras, long takes, jump cuts, and natural lighting to create a dynamic and spontaneous feel.
The film's reception was mixed among critics and audiences, who had different reactions to its controversial subject matter and artistic choices. Some critics praised the film for its courage and honesty in tackling a taboo topic, as well as for its artistic quality and social relevance. Others criticized the film for its lack of drama and excitement, as well as for its moral ambiguity and indecisiveness. The film also faced censorship issues in some countries, such as Italy and Spain, where it was banned or heavily edited. The film was more successful in other countries, such as France and Sweden, where it received positive reviews and awards. 248dff8e21